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Slasher

 

"Finally, if there is a singulary creepy and menacing figure in this production it is Sean Cancellieri, as The Man.  I won't give him away.  You have to see it for yourself.  Trust me, he steals the show."  Ron Cunningham, The Gainesville Sun.

 

Clybourne Park

 

"Sean Cancellieri makes a neat about-face; first as Jim, the naive priest who is given to uttering expressions like "Holy Toledo" and "Jimminy Christmas", and then as Tom who discovered Clybourne Park and isn't at all sure now that he wants to let them in". --  Ron Cunningham, The Gainesville Sun.

 

Hobson's Choice

 

"Cancellieri brought charm to Will.  Will Mossop is a character that seems cartoonish.  Cancellieri embraced his role as the comic relief.  His exaggerated expressions could bring a smile to even the most bitter".  Ali Schmitz, Spotlight on Gainesville

 

Taming of the Shrew

 

"Petruchio unaccountably staffs his household with half the village idiots in Italy and the mistreatment of old Vincentio (the austere Sean Cancellieri) lurches into King Lear territory".  -- David Mackee, Las Vegas City Life. 

 

The Blue Hour

 

"Sean Cancellieri an alternately sketch-comedy perfect foil and a frighteningly real villain.  He initiates a horrific rape scene that is only suggested, but is made terrifying by his quiet, intense aggression". --  Anthony Del Valle, Las Vegas Review Journal.

 

"Amidst mostly anemic thesping, Sean Cancellieri's idiosyncrasy and folding-chair physique commanded attention, as do his ability to immediately switch from a chatty, intrusive panhandler to a terrifying rapist". -- David Mackee, Las Vegas City Life.

 

"Sean Cancellieri had two back-to-back characters that had such commitment I named him best actor in the festival". -- LVPH, Las Vegas Review Journal.

 

The Madwoman of Chaillot

 

"Sean Cancellieri - with his tattered jacket, makes for an intriguing Ragpicker.  When he speaks of the old, beautiful days of Paris, you can see in his eyes the wonder of his vision".  -- Anthony Del Valle, Las Vegas Review Journal. 

 

 

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